Wednesday, March 26, 2014

Models of Diversity Is a Wonderful Non-Profit Campaign to Change the Face of Modeling.


IF YOU GO ON TO THE WEBSITE MODELSOFDIVERSITY.ORG, YOU WILL FIND A MOST REFRESHING MOVEMENT AND ONE THAT WILL HOPEFULLY TAKE OFF.



“Where are the models of colour? The larger models? The shorter models? The models with a disability? The older models? Models of Diversity is the campaign for more diversity in the models we see every day. We call on the fashion, beauty and marketing industries to recognize the beauty in people of all races, ages, shapes, sizes and abilities. Our mission is to change the face of fashion and modeling."

This is the introduction when you go on the website ModelsofDiversity.org. Of course, all of us know that there is something really unhealthy about Fashion. It’s not just that the models are super skinny, or that it consists of women who are mostly white, over 5’10′ and must have a pretty impeccaby shaped face and figure. This London based organization is intent on “re-shaping” the world. Diversity matters for many reasons.

 Another organization that has been campaigning incessantly for diversity in the fashion industry is All Walks Beyond the Catwalk. An initiative of Caryn Franklin, Erin O’Connor and Debra Bourne, All Walks has been working with top designers and creatives since 2009, developing a successful educational programm in colleges and teaching young designers to think about diversity.

The Debenhams 2013 look book, featuring, as one popular newspaper put it, “a glamorous grandmother, a Paralympian amputee, a plus size 18 and a petite model as its stars” is one of All Walks most recent successes.

Marks and Spencer too seems to have embraced diversity. Their A/W 2012 global advert, featured older and plus-size models. It is rumoured that the next campaign will be fronted by Dame Helen Mirren.

Such results are remarkable and encouraging, but do not let us get complacent. We still have a long way to go. Have you noticed, for example, how the ‘real woman’ label is being used to differentiate among models? Those who do not look like models are ‘real women’. It might sound good to be referred to as ‘real woman’, but there is a sting.

It means that there is a look which is typical of models, by default inspirational, all other looks are the look of real women, by default non-inspirational. Model agencies routinely implement such a division among models on their roster. They have ‘real people’ and ‘models’ (some agencies dispense with the ‘real people’ altogether, especially if they only provide models for fashion and beauty). It begs the question of what that model look is.

Shall we have a go at guessing? Caucasian, ideally blonde, over 5’10, size 6 (we are being generous with the size here, the smaller the better), max age 24. The height requirement is so stringent that even someone like model Cara Delevingne, who is said to be 5’9.5, was at some point regarded as short: it seems that Marc Jacobs thought so and referred to her as “a dwarf”.
There is also an unintended, more sinister implication, that models are not real women because the majority of them are still under 16, children in fact. Exploitation of the young is the dark side of the fashion industry.

As for ethnic diversity: we do not see as many non-caucasian models as we would expect, given the composition of our society. In fact, statistics have shown that a non-caucasian model on a magazine cover is directly linked to a drop in sales, so magazines positively avoid covers with a non-white face.

The fashion industry clearly needs to work harder on including a more diverse grouping of models in their field, sales or no sales.  However, money talks, and until the public responds to the ads, we may not see a change.  Let's hope the public wakes up soon.

Thursday, March 20, 2014

A WONDERFUL CHANCE TO WEAR MY NEW VERSACE THAT I GOT FOR $260.00!! (I got $720.00 off!!)

Fashion Week Palm Desert, Ca.




Every year one of my best friends in the world comes to Palm Desert forSpring break. We then meet up with one of our other BFF’s from grammar school and just hang out. This year it happened to be Fashion Week, the week of vacation.
Tonight, we got free tickets to go!!! The red carpet and cocktail party were much more fun than the fashion show other than one surprise. There were so many gorgeous women over 50, I was ecstatic. I wasn’t able to get as many as I wanted because I feel it is only courteous to introduce myself, give them my card, and explain why I would like their photo. Of course, that gets us involved in conversation, so it’s hard to just snap and run.



What great fun we had though. The women could not have been more
generous with their their time, and I thank them all for that.

Tuesday, February 4, 2014

Nickie Summers, A Fan From Facebook, Shares Her Inspirational Story

AT 51, NICKIE SUMMERS DOES NOT LET AGE KEEP HER FROM LIVING HER DREAM OF BECOMING AN ACTRESS. IN TWO WEEKS, AT 51, SHE IS OPENING AS  THE STAR OF "MRS. BILLINGSLY"
HER STORY IS INSPIRATIONAL TO SAY THE LEAST


Nickie Summer's favorite phrase is: "Bloom where you're planted." Nickie truly believes that whatever the circumstances in your life, there is opportunity to be productive, creative and to contribute in your life. 
She certainly has lived by her philosophy that self-imposed limits should not prevent you from pursuing your dreams.

About 2 years ago, when her daughter was going off to college, her daughter asked her if there was anything her mom had always wanted to do, but didn't? That simple question caused Nickie to pause and consider;" what is her passion, her joy, her true self?" Her answer was acting and modeling. She had dabbled in it in her early '20's, but never followed through. So, she set a course and began taking steps that would move her in the direction to pursue her passion.  


"The last two years has lead me on a journey in the entertainment industry, fulfilling experiences I left behind years ago."

On February 16th, at the age of 51,  she will walk on stage performing the lead role in the theater production, Mrs. Billingsley, and will follow that up this spring with a role in the stage play Slavery to Freedom, both produced by TY Martin Studios.

"Age can be a self imposed limitation whispering in one's ear 'pursue your dream? what's the purpose?' When in reality, this is the best time to come full circle in life,  get re-engaged with joy, and bloom! Life is about endurance, living life with vitality at the age of fifty and over as we did in our twenties...live your life not your age...how fun is THAT???!!!! The difference between today and tomorrow is the will to start...Define your goal, Set a course, Move it forward!"   Nickie Summers



Thank you so for sharing this Nickie. Break a Leg!!

Vivienne Westwood

AT 73, VIVIENNE WESTWOOD, THE "MOTHER" OF  PUNK ROCK DESIGN THAT CHANGED THE WORLD, REINVENTS HERSELF FOR THE UMPTEENTH TIME TO DESIGN COSTUMES FOR THE ROYAL BALLET 





Vivienne Westwood,72, grew up in a part of England that came to being during the Industrial Revolution.  Despite having no exposure to Culture, such as the Arts or Theater, she became the Matriarch of the Punk Rock movement and has designed her way to creating for the Royal Family and now the National Ballet of London.


Vivienne attended Art school for one semester studying fashion and silversmithing, but dropped out after one semester. She utlimately started her career as a school teacher, and married Derek Westwood in the early 1960's.They had a son, Ben, and her life seemed pretty well established. Then she met Malcolm Mclaren, an art student. Vivienne left her first husband and the new team of Vivienne and Malcolm led to an everlasting change in the culture of not only England, but countries around the world, including the United States   


In 1971, Malcolm opened a Boutique on Kings Road in London, called "Let it Rock" The name was changed four more times until it took the name of "Sex". Mclaren conceived the idea for clothing taking inspiration from bikers, fetishists, and prostitutes, which Vivienne designed into clothing. Mclaren also began managing the Band, the Sex Pistols who began wearing the Mclaren/Westwood designs.The shop and these designs became a hub of the Punk Revolution. They also had a child together, Ben.





Malcolm  also taught Vivienne about the political power of art and encouraged her to develop her own individual creativity which she has continued to do for more than forty years. At that time, in the early 1970's, the movement was a reaction by the youth against older generations considered oppressive and outdated.  Through Malcolm's inspiration and her own creativity she designed a most rebellious line of clothing that evoked such visceral reactions as dirty, ripped, scarred, shocking, cruel, traumatized, sick or alienated. Needless to say, Vivienne Westwood also became a controversial influence that had much weight then, and  now. 








However, even after the Punk Movement faded, Vivienne remained rebellious and often setting the fashion curve . The couple looked toward romanticism in their next venture which emerged 1979-1981 as the Pirates collection.The collection was highly influenced by 18th century men's clothing fused with North American Indian and Pirate which rendered an androgynous overtone, greatly shocking Britain once again.  






By 1981, Westwood and McLaren launched their line on the catwalk in London, Westwood's first foray into established fashion. Britain was not about to embrace Westwood, however, Italy hailed her work as genius.  She received financial backing from a wealthy business mogul and her design future became more secure. Nontheless, by 1983, the business began to have financial problems and Westwood split from McLaren and joined ranks with her Italian business partner and now lover.

Since then, she has had various Signature looks including, witches, Harris tweed, and Cut, Slash and Pull. She has remained a vocal advocate of the underdogs and of societal maladies. Despite the success that she has ultimately achieved, she has remained true to her humble beginnings.

Today Viviennes Empire is vast. She has a semi-couture line, Gold Label; a ready to wear line, Red Label, and perfumes along with a successful range of knitwear and accessories. She was named British Designer of the year in 1990 and 1991. She was made Dame Vivienne Westwood in 2006.
She has moved on to other social issues, including climate change. In 2013 she rebranded the English National Ballet with costumes of her design.

If there is anything that can be said about Vivienne, she is a constant surprise and contradiction of terms. Ranging from the Sex Pistols to the National Ballet, and everything in between, she continually reinvents herself, even at the age of 73. 

















Friday, January 31, 2014

If You Don't Know Carine Roitfeld, then You Don't Know Fashion

WHERE TO BEGIN? ONE OF THE MOST , IF NOT THE MOST, ICONIC EDITORS, STYLISTS, FASHIONISTAS, RE-INVENTORS, AND GORGEOUS WOMEN OF ALL TIME..




Carine, 59, has done more in her life than most. Her start came by luck when she was noticed by a photographer's assistant on the streets of Paris. At 18, she was asked to model. She did not last as a model for very long before she started to freelance as a stylist and writer for Elle France. In 1990, she met the photographer Mario Testino and the two went on to collaborate for years to come.

From 2001-2011 she was Editor-In-chief of Vogue Paris. In 2001, she earned the coveted and highly revered position of Editor-In-Chief of French Vogue. This position she held with great esteem until 2011. During that
time, Mario and Carine collaborated on some of the most historic and evolutionary fashions of all time in both Vogue and French Vogue.


Carine and Mario


In the mid-1990's, Tom Ford asked Carine to help him revive the struggling Gucci brand. Initially, she refused, but later, both Carine and Mario stepped in to help. Roitfeld's influence helped create a very stylized 70's provocative line.
It was dubbed "porno chic", but Carine preferred the term "erotic chic".



Gucci circa 2000


In 2004 Ford left Gucci and Missoni then recruited Carine. Again, Carine had the Midas touch, with Missoni recreating its brand. Roitfeld's touch was what she liked to call " a bit of sex...there must be a bit of provocation."



Missoni on Vogue Photographed by Testino

In 2001, Conde Nast Chairman, Jonathan Newhouse asked her to take over as Editor-In-Chief of French Vogue, which she did. she reigned supremely during her stay until 2011. Carine was not afraid to experiment, and many of her experiments worked. During her tenure at Vogue, revenue increased almost 10 percent and circulation 27 percent.

Carine in 2010
Since leaving Vogue, Carine has not lost a beat with her flair and influence in the world of fashion. She currated a book, Irreverant, that featured images from her favorite fashion shoots where she was taking her own photos.

 Carine most recently was the "star" in the movie so aptly named ," Mademoiselle C". The film is directed by Fabian Constant and is about Carine's' next journey which is the launching of her own fashion magazine "CR Fashion Book".  Does this woman ever stop?  It also chronicles her position as Editor-In-chief at Vogue Paris.  Basically, the movie features every and any person who was famous in the fashion industry including models, designers and photographers. 


As a personal aside, I was in New York the earlier part of this month, January.  I was browsing through the Sale rack on a really COLD day. I looked next to me and this very thin and ultra chic (hard to do in really COLD weather) woman, with the coolest Down jacket and spike-heeled boots was standing next to me. I knew I knew her from somewhere, and before I had the chance to tell her how much I admire, worship, and adore her, she was gone. Too bad. 

















  • Wednesday, January 29, 2014

    More Favorite Picks from Spring Couture 2014 for Women Over Fifty

    Zuhair Murad
    Elie Saab
    Elie Saab

    Elie Saab

                                       






    Monday, January 27, 2014

    Daphne Selfe, 85, a Symbol that the Trends in Fashion Are Changing. Keep Your Fingers Crossed!!

    DAPHNE SELFE, MORE POPULAR IN HER '70'S THAN IN HER 20'S . PRETTY MIRACULOUS IN THIS DAY AND AGE, DON'T YOU THINK?


    in an age obsessed with youth, it seems highly unlikely that any model could still be working at 85. In her 60th year in front of the camera, she not only makes more than $1,500 per day, but she has more jobs now than when she was young!! Thanks to her striking cheek bones, slender figure and beautiful long gray hair, she is helping to shape the newest trends in fashion.

    Daphne never grew up wanting to be a model and never thinking she was the right type. In 1949, her friends convinced her to enter a competition to be the cover girl for a local magazine. Of course she won, and then the rest is history, so to speak.

    She started off as a model for a fashion wholesaler and then for a furrier in London. Back then, she got free weekly manicures, and hair appointments, but she was required to look good off camera as well as on, unlike today! Daphne was always bigger boned and a little heavier than other models, but no one complained. Until 1954, there was rationing in England, so no one could afford to be too picky about what they ate, either. 

    In 1953, Daphne met her husband and married the next year. For the next 10 years she had 3 children and loved being a mother. She never thought she would return to modeling, especially when models like Twiggy and Jean Shrimpton became in vogue in the 60's.She knew there was no way she would fit back in, so, instead, she decided to try working in commercials and as an extra in film and television.


    In her 20's Daphne became a model. Back then,
    she had  a manicure and  her hair styled every week.
    It was required that she look as good during her
    off time as she did during her "on time".

    In the 70's, styles again started to change; the models weren't quite as thin, make-up wasn't so thick, and hair was looser. By this time she was in her 40's and her hair was beginning to gray. Nonetheless, she  continued to have small roles on television and modeled in department store cafes.

    By the 1980's Daphne was in her fifties. Never did Daphne have a beauty regime, she washed her face with regular soar and used Nivea as her night cream.  When she began to see wrinkles, it didn't bother her(can you imagine that today?, My, how things have changed.) because they told the story of her life."Age happens to us all, no one is immune" She felt the same about her hair and let it go gray forgoing dye.



    In her 50's Daphne didn't care that her wrinkles started to show.
    She said that they told the story of her life.
    "Age happens to all of us, no on is immune."
    The realm of "senior modelling" was happening for Daphne in the 1990's until her husband had a stroke. She cared for him for 4 years until he died. Wanting to stay busy she wasn't sure what she would do until her Agent asked her if she would like to do a fashion show of the edgy label "Red or Dead". From there, it was like the Angels were shining down on her. That stylist told her Vogue was looking for models for an article on how it felt to be old. So, in 1998, at the age of 70, Daphne was indeed in Vogue!! A talent scout for the Agency Model 1 saw her and signed her up.

    The rest truly reads like a fairy tale. At the age of 70, she was jetting all over the world. She got more stamps in her passport in those first two years than in her entire life before. She did start doing yoga and circuit training to keep herself fit.  Not bad, starting those at 70! fifteen years later, she can't believe she is still working. She now commands top dollar to pose for leading fashion houses.

    She is proud to say that she has never "had anything done to her face" The best thing of all, and for all of mankind, is that she says "the younger models look up to her"  At last, a role model for all of us to look to with admiration for staying true to herself!!






    Saturday, January 25, 2014

    Favorite Picks From Spring Couture 2014

    Armani
    Armani
    Armani

    Armani
    Armani


    Giambattista Villa

    Giambattista Villa

    Ulyana Sergeenko
    Giambattista Villa